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Poll: How often do you write?

December 5, 2008 by drexes

The Road, Cormac McCarthy

December 5, 2008 by drexes

Yeah he wrote All the Pretty Horse and No Country for Old Men and loads of other critically acclaimed and 'important' books I've never read, but for whatever reason I picked up The Road. The story is primarily about the trials of a father and young son on a journey to the southern coast of the U.S. in a post apocalyptic nuclear winter. The best way I can think of to describe the book as a whole is "gray". It's muted in setting, dialogue, everything, so much so that when something of color happens it shocks your system. Don't confuse this boring however; I ripped through this page turner in less than 24 hours. It was moving in such a profound way. Two things stuck out to me thematically. One was "Hope for the hopeless", that the search for hope was just as important to survival as hope itself. It has a bit of cyclical logic, after all isn't searching for hope a type of hope in and of itself? The second and much more obvious theme was a father's love for his son. What won't he do? What wouldn't your father do for you? The book is cold and bleak and gray and heartbraking and the joy in it is wonderful. It's the joy that some of the questions and themes aren't part of your life, but the love and hope are. I highly recommend this book to each of you.

*** As a side note, please be aware that the book is very graphic in certain scenes and does contain canabilism and infanticide.

Re: Invites

December 3, 2008 by drexes

please feel free to join away...

Re: Short Story Anthology Project

December 3, 2008 by drexes

Actually, to me, the true beauty of the project would lie in the inconsistency of voice. If everybody tells thier tales the same way then really there isn't much point in an anthology, you could just get one author's book. The great thing about fantasy is that evrything is there, action, romance, humanity, whatever you want your story to really be about. And the reason I wanted to do this was to get all the voices that are so different to tell stories in the same time and place but with vastly different styles, much like the real world is. We all have different voices/perspectives/styles but we live in the same place. I wouldn't want you to write with an appirition of my voice, I want to see a piece by you that contrasts so sharply with something by Bart or Chris or me, whoever. I just think of all the different ways we would all describe the same character or place and think that you would end up with an incredibly rich product.

Re: Short Story Anthology Project

November 17, 2008 by drexes

Sooo... is anybody else even considering helping out with this?

Re: Naming Help

November 14, 2008 by drexes

GROUP:
The first one that comes to mind is Nephilim... it's biblical, the children of men and angels, they were said to be powerful giants with great powers. Ringers could work if there is some 'inner circle' kind of feel to thier organization. If they are pompous at heart, they could call themselves Ascendants, since they have ascended passed humanity. The source, or what they view as the source, of their special nature is probably pretty important to thier name as a group...

For an island
If you want some historical/mythical flavor go with Chemmis, the floating island. The floating aspect could be due to its perpetual surrounding fog that makes it appear to be floating. Since it's mythical it can be anywhere, and it being real it would just be named after the myth anyway.
Herodotus tells: "The next greatest marvel was the island called Chemmis. This island lies in the middle of a broad and deep lake close by the temple, and the natives declare that it floats. For my own part I did not see it float, or even move; and I wondered greatly, when they told me concerning it, whether there be really such a thing as a floating island. It has a grand temple of Apollo built upon it, in which are three distinct altars. Palm trees grow on it in great abundance, and many other trees, some of which bear fruit, while others are barren. The Egyptians tell the following story in connection with this island, to explain the way in which it first came to float:- "In former times, when the isle was still fixed and motionless, Latona, one of the eight gods of the first order, who dwelt in the city of Buto, where now she has her oracle, received Apollo as a sacred charge from Isis, and saved him by hiding him in what is now called the floating island. Typhon meanwhile was searching everywhere in hopes of finding the child of Osiris. The island, therefore, in consequence of this event, was first made to float. Such at least is the account which the Egyptians give."

In the legend of Jason and the Argonauts, the Symplegades are also known as the Clashing Islands. The two rocky islands float on the surface of the water, and guard the entrance to the Euxine Sea (The Black Sea.) The islands would crash together, crushing ships caught between them. A king that Jason had rescued told them how to get through- a dove was sent through first, and the islands crashed together, clipping the dove's tail. When the islands began to separate again, the crew of the Argo slipped through before they could close. According to the legend, the islands became fixed in place after that day.

These islands were similar to the Planctae or wandering rocks, referred to in Homer's Odyssey.

IT will be remembered that the story of Ola's building of the famous watercourse Kikiola concludes with the refusal by Namakaokaha‘i, chiefess of the Mu and Menehune people, of an offer of marriage and her disappearance with her people on the floating land of Kane-huna-moku. Kaanaelike (Anelike) in the story of the "rolling" island of Ulu-ka‘a is the same chiefess under another name. Ulu-ka‘a and Kane-huna-moku are interchangeable names for that garden of delight in which the gods first placed Kumuhonua and his wife, ancestors of the Hawaiian people. Ku-waha-ilo is the parent of Anaelike as of Namaka-o-kaha‘i in the heavens. The lover who comes swimming to her over the sea is the Man-of-the-sea of Namaka under another name. Even the poisoned food of the Aukele test is here suggested, although with a quite different turn. The son Eyebrows-burnt-off of Kaanaelike by her stranger husband is Lightning-flashing-in-the-heavens whom Namaka bore to Aukele. The concluding infidelity motive connects the story unmistakably with the Pele legend with its outgush of fire which desolates the whole land.

This website has some fun stuff too...

http://www.themaphouse.com/specialistcat/mythical/mythical.html

Anyway there is some food for thought...

Re: Anthology Project WIP

November 13, 2008 by drexes

I haven't worked on this too much in the last few days, but I have started putting in some impressions and allusions to Corina stirring up old feelings in Scratch and in just a few sentences it has really added a nice dynamic to the story's feel. It was always meant to be there, I guess I was just leaving it "understood" and that made things fall pretty flat.

On another note I had the idea of making a couple of short stories that were seperate of each other but each had a certain character in them as a side character and then make those the first chapters of a book about the side character. I dunno if it's a good idea or not, but I think, at least for the character I have in mind, it could be cool. Any thoughts?

Re: Screenplay???

November 12, 2008 by drexes

That's Bangable MILF to you...

Re: Naming Help

November 6, 2008 by drexes

Well then you want things that can sound like names and "code names" so that they can be personal without giving an overhanded explanation of the character in a name. My advice would be to use words that are like last names, ala Roper (Mr. Roper was the landlord in Three's Company) or things that are easily recognized nicknames... then it can subtly elude to a person's abilities and also seem like a name. The phonebook works well for this. Glen Cook never gives characters real names, instead they always have nicknames that give the reader some insight into the character and some of them, the ones that are really good, have double meanings. For instance, Croaker, is always the charcater in the novels that makes me think of the rasping breaking gravel voice, but he is also the doctor, which is funny... Characters can named after thier ticks and quirks, Tom-Tom always carries a little drum, Silent doesn't speak EVER. But in the context of the story the names weren't heavy or silly they just were. A guy who is always sleeping around could be Pedro or Cherry (you are what you eat). A confidence man could be Roper (I don't know why, but I like that name) or Puller, an artist or imagery guy could be Rembrandt or Dali. Naming characters without knowing them seems backwards to me, I have written pages with placeholder names or blanks until I know more about a guy because I won't name him until I know it fits... Phil the Giant-slayer just doesn't work... (It's not Phil, it's THOR!!! -- that was for you Neil). At the end though, I'd be happy to help, I love naming characters.

Re: Naming Help

November 6, 2008 by drexes

So is this like the TV show Charmed? Be careful to avoid parallels if it isn't supposed to be like that. I think I need to know more about the setting in order to help, but names are something I am good at. If it's kinda modern then names like Roper, Sweets, or Rook work. Trying to go with things that might not have been over-used...

Re: Screenplay???

November 3, 2008 by drexes

Conversation musts:

The "That's not how you cuss, THIS is how you cuss..." i.e. Asshole vs. Spunk gargling cum bucket...

The "Fucked to death by a horse" conversation... I won't be in to work tomorrow, my dad died/ Did he have a heart attack?/ No, a horse fucked him to death.... Can you imagine being the person who find the guy dead from being horsecocked?, etc...

Re: Anthology Project WIP

November 3, 2008 by drexes

I hadn't really thought of the Sin City mirror, but I like it for our project, Sin City meets fantasy style could be fun and different...

I think (ain't it great how I don't KNOW) Corina represents an innocence/nobility that Scratch has lost and in his old age now values. Even if he would never self analyze enough to realize it, let alone admit it, she gives him hope for glory. I don't necessarily think he wants redemption, but he does mourn the fall of the man he once was. Actually I don't think he believs in redemption. He is who he is, and sometimes it isn't pretty, but he wants to matter again, at least deep down, and Corina is that opportunity.

He's not yearning to be a 'daddy' figure and there's nothing sexual about Corina as written, though maybe there should be... Could lead to more tension I suppose... I dunno... I think he has more of the 'grizzled WWII veteran grandpa' type of feelings for Corina. "I like ya fine, but I'd rather take a nap than talk to ya. If anybody fucks with ya I'll take a 2x4 to their skull..."

Now how to make her the embodiment of the opportunity to be significant... hmmm... I'd need to rework a scene a little bit, but if Corina makes him flashback to another woman/time then it eludes to a previous relationship (someone he failed) and Corina then doesn't have to be sweet and innocent, her look-alike from long ago would and then Corina can be a little less stock, a little more hard/dark. Scratch might have problems reconciling the two because of his emotional attachment and thus...

Re: Screenplay???

October 28, 2008 by drexes

Best part, we don't need to rename a character modeled after Squid. That name is so perfect you can't even hope to improve on it...

Re: Writer's Workshop

October 27, 2008 by drexes

I think my problem is in the little things. My desire to write a story is "frittered away by detail." I hate them. I don't want to write a 14 page description of a plow, but when I read I know it's the detail in the minutia of a story that really gives it life. My new method that I am trying is to write the story from start to finish with the major stuff init, and then go back and add more flavor text where I want to and see if that helps. I am trying that with my anthology project short story actually... So far it's been pretty good for me, I've gotten further through it than I have anything in a long time...

Anthology Project WIP

October 24, 2008 by drexes

This is very much a rough draft and obviously not done yet, but I thought I'd try and get some feedback now and then go from there.I know where I'm going witht the story I just don't know if I need to include more about Corina's story or not. Personally I think she's a device, pretty fluff and doesn't deserve alot of "screen time". I know the sentence structure is pretty rough and very subject/verb in places, help me out if you want... 

Blood In, Blood Out

 

The old metal mirror was worn and battered, much the same as the bitter, self-defeated countenance it now partially portrayed along its tarnished surface. Scratch dipped his hands in the now pink water of his basin and rinsed them, the leather skin of his hands scarred and weathered. Fresh blood dripped from his nose down into the bowl a red ball in pink waters then lengthening and fading into a sanguine ribbon before diffusing into the water like its predecessors. Scratch brought his palms out of the water to rinse his face but stopped short and stared at the thickness of his hands, at the power evident in his gnarled fingers, at the scars and callouses of a lifetime of hard labor, at the stumps where his last two fingers of his left hand had been claimed by a blade so many years before. He stared at them as if seeing them and the blood on them for the first time and his troubled life slipped through his memory like the water through his hands. Kartehane the Adventurer of Seven Stones, Kartehane the Hero of Bredlin’s Folly, Kartehane the Slayer of the Dragon Kijanke, Kartehane the Killer, Kartehane the Kinslayer, Kartehane the Fallen, Kartehane the Tavern Tough, Kartehane the Old, Kartehane the Forgotten. Another drop fell into the basin. This one was clear.

The swell of emotion in his breast, the deep ache and longing for some part of himself that was lost came upon Scratch like a cresting wave, sucking him into its depths before tossing him about on its tumultuous seas. He couldn’t breathe, he was wracked by sobs that clenched in his core. He couldn’t see, his eyes were rendered useless by the mixture of tears and blood that glazed over them. But he could hear and he could feel, hear the screams of the dying as he claimed their lives, hear the wails of their loved ones, feel the sickening crunch of bone under his hands, feel the spatter of blood as it slushed upon his skin. Sorrow built into frustration and turned to rage as Scratch fought for control over his own emotions. He slammed his fist into the wall of his bedroom shuddering the timbers behind the now cracked rough wood planked walls.

It’s what I am. It’s what I done. Too late for apologies now.

Scratch sat down on his pallet bed, its slats groaned both from age and from the strain of supporting a man who despite six decades of life was still powerfully built. Rubbing the swell of tears from his eyes he caught himself laughing at the young buck who had stirred his breakdown. What the lad couldn’t do with a punch, he had done with a fall.

Still the lad had been quick, he bloodied ya ‘fore you got ‘im.

 

* * *

 

The fight earlier had been brief and not all together noteworthy. Scratch or "Ol’ Scratch" as most knew him, liked his job as the bouncer at the Wayward Lass. Sure it got rough more nights than it didn’t. But they were clean fights and most often the winners helped the losers off the floor. Scratch thought of the patrons like siblings full of love for one another and damned likely to hurt the other at any given moment. The fight had started like many others with a harmless misunderstanding befuddled by too much drink. Two of the younger patrons were shouting insults back and forth and neither wanted to lose face in the game of respect. Scratch had sidled over to them and lain a restraining hand on each of the boys. One of the young men took the hint but the other had his blood up and took a swing at Ol’ Scratch connecting solidly with the bridge of his nose. Scratch hadn’t even seen the blow coming, but it lacked the follow through of an experienced fighter. Scratch’s hands were quicker than the young man had thought and with his left hand he gripped the young man’s shoulder and spun him around and with his right he had punched him in the kidney. The boy had gone down in a convulsing heap writhing in pain.

Bruised kidney’ll do that. He’ll be pissin’ blood for a bit.

One-Eyed Earl, the barkeep added another scratch to the bouncer’s tally post above the bar.

* * *

 

Scratch stood up from his pallet, wincing as the muscles of his left shoulder cramped up. He worked the muscles over with his right arm and wiped the sweat from his brow before stepping out of his one room hovel and into the dim light of and chill of evening. He walked from the alley back to the main street that would lead to the Wayward Lass where Earl would be expecting him to return. Scratch pulled on his cleanest shirt, meaning it wasn’t walking on its own just yet, as he made his way down the street. He felt the brush of someone rushing past him as he pulled his head through the shirt and turned to see the form of a fleeing girl as she darted down the street. He turned back around in time to walk headlong into one of two men who were no doubt chasing the girl. The man careened to the side before crashing to the ground. The second man pulled up short glaring at the would-be roadblock in front of him.

"Watch where yer goin’, boy," Scratch growled.

"Out of the way old man."

"It’s a big road. Go around." Scratch spread his arms out wide and drew in a deep breath. He looked down his nose at the two men before him, each with small dirks drawn He knew he was being more belligerent than was necessary. In fact part of mind screamed at him to step aside, after all this was none of his business and the yellow scarves around their necks had to mean something. Probably one of these upstart gangs nobody knows about. But two men chasing a single girl just didn’t seem fair and besides he was already loosened up.

"Look old man, this ain’t none of your business."

"Name’s Scratch, and I’m saying it is."

The one of two men on his feet was tossing his dirk back and forth between both hands. It was showy and against most men it would have been intimidating, but Scratch wasn’t most men he counted the pace of the tosses and charged the man just as the blade left his hand. As Scratch had hoped the man was unprepared for the charge and fumbled the catch. The blade clattered along the cobblestoned street. Scratch immediately halted his charge and lashed out his open hand slapping the fallen man across the neck just as he began to stand. The force sent the man reeling to recover his balance. His partner recovered from his shock at being attacked went on the offensive hurling haphazard haymakers at Scratch. The older man danced back from the first two swings and then as the third swing came in he stepped in slamming his forehead into the nose of the man and following it up with uppercut under his chin. The man crumpled to the ground, his face a bloody pulp.

The first man had recovered his balance and now held his dirk ready in front of him, eyeing the old man in front of him as if sizing up his opponent for the first time. Scratch looked back at him and grinned.

* * *

 

The Wayward Lass was a dirt floor tavern with mismatched tables and chairs and a single bar that sold cheap beer and liquor that was good for stripping tar. The crowd was rowdy and raucous but the mood had stayed pretty jovial, especially since Ol’ Scratch had come back with a new dirty and bloody shirt and playing idly with a dirk he fancied. One-Eyed Earl waddled behind the bar, his sizable girth taking up more room than was behind the bar, serving drinks in passably clean clay cups. He had a chuckle at Ol’ Scratch’s appearance every time he looked in his direction.

"Sent you home for another shirt."

"This is my other shirt."

After dealing with the two men in the street Scratch had made his way here as quickly as he could. He wasn’t sure how much good he’d be in another row tonight, the fight in the street having left him more winded than he thought it should have, he had made a pretty big show of his new blade when he came in. Still as tired as he was he knew he had been followed. Scratch was pretty sure he hadn’t killed the either of the two men but he’d be surprised if they recouped quickly enough to follow him tonight. No, he had a pretty good idea who was doing the following.

Sure enough, ten minutes after Scratch rolled through the bar’s opened door, the form of a young woman darkened the opening. She stood at the door with wide eyes in obvious hesitation before darting into the room to sit at a table on the far side of the room from Ol’ Scratch. Scratch tried to ignore the girl, tried to ignore the way she was staring at him. Hell, he became downright friendly with the other customers just to break the tension. The man was short and small built especially when seen next to Ol’ Scratch, but Scratch could see the the lithe muscle beneath the man’s clothes and noticed the wear one the handles of the man’s blades. He was affable enough and soon Scratch and his new friend Cade were talking and jesting like old pals at a reunion too long overdue.

One-Eyed Earl jostled and squeezed his way to Scratch’s side of the bar. "Looks like you need to bounce one."

Scratch eyed the crowd suspiciously, "Which one?"

"Girl, there, been here a bit but ain’t buyin’ or sellin’."

Scratch looked over at the girl who was still watching him intently and fished a coin from his pocket. "This one’s delicate. Now she’s buyin’. Okay, Earl?"

Earl slid the coin from the counter into his apron and walked away muttering, "What she is or ain’t don’t confront me, long as I get my money."

With a huff Scratch decided that enough was enough and walked over to the girl’s table and took the seat opposite her.

"I..."

"Look lass, that, out there, that weren’t for you. I know you think I done you a solid, but that was just Ol’ Scratch having some fun with some youngsters. Weren’t ‘bout you."

"But... but you saved me."

"Men like them, they get notion to kill.. well there ain’t but one way to put an end to those plans. All I done was buy ya some time."

"They’re Night Vipers! They’re going to kill me!"

"That’s what I’m tellin’ ya." The name didn’t mean much to Scratch, but then current events weren’t his cup.

"You have to help me!"

"No, I don’t reckon I do." Scratch stood up from the table and turned to walk away.

"My name is Corina!" The words rushed out of her mouth like a hand grasping for a handhold on a cliff.

"Scratch." He walked away.

* * *

 

"Ever heard of Night Vipers?" Scratched startled Earl with his sudden question. Scratch had returned to his vigil at the end of the bar some ten minutes ago, all storm cloud brows and brood. Earl stared out at the crowd from behind the bar nearby idly sipping his beer. Scratch’s low gravel voice brought him out of his reverie.

"Huh? The snake?"

"No, dammit all, not the bleedin’ snake. Men. Yellow neckerchiefs or some such nonsense."

"Oh. Yeah, I know ‘em."

"Well?" Scratch barked impatiently.

"Bad news. Bad name. Blood in, blood out."

"What?"

"Well ‘Night Vipers’ is hardly original now is it?"

"No, blood in and out, what’s that?

"Oh, well, now that’s the crux isn’t it? It’s like this..."

Neither One-Eyed Earl nor Scratch seemed to notice the keen interest of the customer who sat idly sipping his cheap beer.

* * *

Damn women and damn gangs and damn me, why am I going after her? The same question, if not the same words had been running over and over through his head since he had left the Wayward Lass a half a bell ago. He still didn’t know the answer.

 

One-Eyed Earl had been a regular fount of information about the gang, seemed he knew it all. That worried Scratch more than a little, but he knew enough not to ask how Earl knew what he knew. That one eye saw more than most pairs. One-Eyed Earl had leaned in at the last moment and said in a whisper, "You ain’t gonna get in the thick is ya?"

"Nah... but you better hand me Maggie, just the same."

Maggie was Scratch’s old sword and One-Eyed Earl kept behind the bar just in case. The old falcata slid into his grip like it was made to be there, the creases in its weathered handle matching perfectly to the contours of Scratch’s gnarled hands.

"Missed ya, girlie." Scratch pulled the blade out of its many-notched scabbard about an inch and noted the tarnish that had marred the surface. "Scratch ain’t done right by you either. Sorry."

 

Ain’t nothin’ but a fool is ya, Ol’ Scratch? Scratch found himself walking hurriedly down alleyways and side streets hoping for a glimpse of Corina, hoping he wouldn’t be too late when he caught up to her, hoping he might be.

Up ahead at the mouth of the alley he had just turned down Scratch saw a woman crouching and peeking around the corner as if checking the road for threats. Scratch moved with all the quiet grace he could muster, but in his own ears he sounded like a wounded buffalo staggering down the alley. Still, as he covered half of that distance his own harsh whisper gave him a start.

"Corina!"

The girl’s head whipped around, her eyes opened wide, a frightened rabbit looking for an escape. "Scratch... but you said..."

"Knowin’ what I said girl, was there when I said it."

"So, you, you’re going to help me?"

"I’m entertainin’ the notion lass, but it won’t do no good if you die on the street ‘fore I makes up my mind, now will it? Knows a safe place for you to hide for a spell. Lemme get a thought or two in and then we’ll see what we’ll see."

"But..."

"One chance, lass." With that Ol’ Scratch turned and walked back down the alley toward his apartments. He never looked back to make sure, but he knew Corina was following him.

 

* * *

 

"So, lemme get this straight. You ain’t part of the gang, that’d be your brother, Micah. But turns out Micah gets himself a case of the weak knees and wants out. So they kills him. And now they gonna kill you too? Don’t make sense to me."

It was the third time, at least, she had gone through the whole story and she was getting frustrated, that much was obvious. "Look, before I got away I overheard the leader, DeVara, talking to some of his men about making me ‘an example to insure loyalty’. When I had the opportunity to get clear I took it."

"Easy, lass, weren’t sayin’ you was lyin’, just didn’t reconcile, ya know?"

"I’m sorry." But she was lying, or at least she wasn’t telling the old man everything. Part of her felt like the evil she had witnessed the last few days had tainted her, infected her soul and now colored her actions and motives. Mostly she was afraid, afraid that if she told him everything her last rung of hope would disappear.

"No apologies. I want you to do me one more thing. Tell me everything you can ‘bout that warehouse where they was holed up. Then get some shut eye. Ol’ Scratch has got some figurin’ to do."

* * *

 

 

 

Re: Screenplay???

October 24, 2008 by drexes

Well we've got them as next door to each other in a duplex... plus that might actually decrease the stress of any jealousy if GAY SIBLING already knows BANGABLE MILF before NOT BRENT. Whereas if NOT BRENT introduces GAY SIBLING to BANGABLE MILF and then those two hang out more than NOT BRENT and BANGABLE MILF you get alot more tension. Just my thoughts... And the duplex gives you "heard it through the walls" potential... nice...

Re: Screenplay???

October 23, 2008 by drexes

oh for family he should have a totally butch lesbian sister who is strangely wise and hot, or a brother that is obviously gay even to his entire family , like his Korean War Vet Grandpa but refuses to admit it or act on it. Then NOT BRENT can out his brother to his brother in a crucial backlash fit in front of all thier friends and family... "You're gay! How can you give me advice on life when you can't even admit that your gay. You like musicals. You watch E! You read fucking romance novels and fashion magazines. You're gay! Grandpa knows you're gay! Mom knows you're gay. We all know you're gay. Everybody but you. Get the fuck over it." Just a thought...

Re: Screenplay???

October 23, 2008 by drexes

well for jokes I think his degree should be in Criminology, Sanscrit, or Management Information Systems, or some other mostly worthless degree program... No seriously, it should be MIS, lots of us know about that. Oh and plot-wise have him struggle with the conflict of professional/monetary success versus the feeling of creating something worthwhile or doing something noteworthy with his life. Thus he discovers that he can't be fully realised as an individual until he reconciles both of his needs and puts them into proper priority for himself. MAybe he ends up running/starting a successful or at least promising NPO that uses his education to help people... or he could give it all up to write a screenplay...

Re: Short Story Anthology Project

October 22, 2008 by drexes

Character Sketches

Ol' Scratch used to be Kartehane, a noteworthy adventurer, before he got down on his luck, made some bad decisions and was summarily forgotten. Now he's nothing more than a bouncer in the Wayward Lass, a dirt floor tavern with cheap beer and bad liquor. He's in his early sixties now and at least superficially just wants to live out his last years in disremembered quiet. A deeper part of him yearns for the glory days of his youth and abhors the ignominy of his latter years. Mostly he lives life day by day and tries not to think to hard on the complexities of life. He's a bear of a man and despite his age he is still physically intimidating.

Characters I'm using and still working on...

The Wayward Lass is owned and ran by an obese man named One-Eyed Earl. Earl is very much a man in the know and by god if he doesn't know he'll make it up. He serves cheap beer and liquor "that's good for stripping tar".

The Rake is one of, if not, the city's greatest assassins. Nobody knows his face and he keeps many buffers between himself and someone who hires him. People know he is of smaller stature and he often employs strange methods to get a job done. He always wears a peculiar leather mask in order to hide his identity.

The other characters I'm using are either insignificant or will be killed off in my story, at least that's my opinion for right now...

Re: Screenplay???

October 22, 2008 by drexes

His name is Brent... oh wait we're fictionalizing... How about Kent? Subtle right? Just playing... He's probably coming to grips with gaining maturity and that would be his goal even if he doesn't necessarily see it. His own misconceptions about the views of his friends and such are what hold him back. He doesn't see that all of his friends are wrestling witht the same conflict and are each held back by the need to be "one of the guys". Obviously he wants it because deep down he really wants to bang (okay, be in a relationship with) the MILF next door.

Yeah I know I brought up the swinging and the beastie times but really, you had to know those things would factor in...

Re: Screenplay???

October 22, 2008 by drexes

No that's mine

Re: Screenplay???

October 22, 2008 by drexes

Nope, that's Martin Lawrence.

Re: Writer's Workshop

October 22, 2008 by drexes

ACtually my biggest problem isn't getting started, usually I can do that just fine. Typically I can write point A just fine and I know that I want to end at point C but muddling through point B just kills me. I've tried getting the story done in my mind, but then I get too bored with it to finish typing it all out and I've tried just writing organically and letting the story live as it wants but then I end up stuck or lost...

Invites

October 22, 2008 by drexes

Alright, so this thing is working so far, but we will need bodies for the incinerator soon enough... Stephanie won't burn forever...

So if you know someone who would be an asset to the conversation here, or would enjoy this little forum send them an invite!!!

Re: Short Story Anthology Project

October 22, 2008 by drexes

back on topic... I started coming up with a story idea, and I know my character for my first short story. BUt before I get into the character sketch and stuff I guess I need to lay down some ground rules for the project.

1. You are obligated. Hah! I've got you now.

2. The setting for these stories is something we all need to agree upon in advance so that there can be some descriptive continuity. If there are no objections I would like to use one of the cities within the game world I wrote. I am kind of at a loss as to whether to make the stories low fantasy or a mix, but I am leaning towards a mix.

3. You MAY use someone else's character in your story (in fact it is encouraged) without permission with some restrictions. You MAY NOT kill or so fundamentally change another's character so as to make it unrecognizable without the other writer's permission. Incorporating someone else's character into your story creates a sense of connectivity and consequence within the setting. Cameos that are not 'gratuitous' can be cool too.

4. While the setting should be a living entity, please refrain from fundamentally altering the setting and thus making other stories obsolete.

Yeah so that's all I have for now, if anybody has any suggestions, well, you know where to write them...